Confronted with what it means to feel alive in a body that is both fragile and miraculous, I became fascinated by the paradoxical richness of that feeling. Relief from an extended period of suffering imbued ordinary moments with a deep sense of gratitude and awe. The sacredness I experienced wasn’t distilled or sterile—it felt rooted in the full, messy texture of being human. That realization led to a broader inquiry into consciousness: how it exists within us, outside us, and between us—how we shape and are shaped by experience, and how much more we might see by questioning what we take for granted. Carrying those sacred moments and lingering questions into everyday life became essential to my resilience, and led to an amplified awareness of joy, sensuality, and absurdity.

In line with other non-objective painters, my work explores gesture as an intuitive language for emotion, while also adopting the metaphysical inquiry of spiritual abstractionists—particularly those influenced by Eastern philosophy. Built from a distinct visual language of curvaceous forms, flat bubblegum colors, and symphonic compositions, the paintings bridge these two traditions into something playful, cosmic, and biomorphic—alive with feminine and erotic energy. Veering toward mystical animation, they are divine in theory, irreverent in form.